Writing. It takes skill, dedication, determination and lots of ideas to become a writer. It also takes a little business sense too. For getting published is all about meeting a market’s needs, whether that need is from a magazine editor looking to please readers and editors, or a publisher, looking to boost profits and keep the accountants happy. Writing, these days, is a business, even if something you do at the end of a long day at work, once the kids are in bed.
The newsletter available at the 2017 February meeting can be downloaded here: feb-2017 newsletter
Simon Whaley’s latest book, The Business of Writing, is a collection of 25 articles from his Business of Writing column in Writing Magazine. Tackling a variety of subjects, it looks at the business side of writing including:
Christopher Smith has just published his fourth book in his The First Sword Chronicles, which is now available from Amazon here, priced £2.39 in Kindle format.
The synopsis is as follows:
Lonely and friendless, Irithelie has lived her whole life in the hall from which her exalted mother rules the armies and the peoples of the alvenkind. She yearns to show that she is more than a helpless child, and when she and her sisters are despatched across the dark between the worlds on a mission to return the alven people to their homeland it seems her chance may have finally arrived.
But Iri has a secret power, dangerous and unique, and when it is revealed the love and concern of those closest to her may swiftly turn to fear or even hatred.
Meanwhile, the ambitious Summer Phoenix makes her way to Eternal Pantheia just in time to foil an attempt on the life of Princess Romana. Eager for glory and recognition, Summer swiftly joins the new First Sword of the Empire, Michael Callistus, to investigate a series of disappearances on the Imperial frontier, disappearances that may be connected to the assassination attempt…and involve creatures not scene in Pelarius for thousands of years.
The World Serpent comes to claim all crowns, and the army of dragons will devour all worlds that stand before him.
*Ceridwen and the Cauldron of Transformation – A workshop to inspire
*When: Saturday 18th February 2017*
*Time: 10 am – 4 pm*
*Where: Morville Village Hall*
In this workshop, run by writer Ruth Cameron, writers will explore the Welsh myth of* Ceridwen and the Cauldron of Transformation*.
Ceridwen, a great sorceress, intends to give her son the gift of wisdom. However, Gwion Bach, the young boy who is set to stir the cauldron accidently spills three drops onto his thumb and licks it off thus acquiring the gift. In fear he runs from Ceridwen and they both go through a series of transformations a she hunts him down, which ultimately results in Gwion transforming into the legendry bard and prophet Taliesin.
The 2017 Leominster Festival has launched their writing competition, along the theme of Paint the Town. They’re looking for up to 500 words, or 8 miles of poetry. Entry fee £2, First Prize £25, and the closing date is 13th April 2017. For more information download the entry form: leominster-festival-writing-competition
Oh Zoe! – is a new children’s book publisher looking for titles ahead of our launch in autumn this year.
They’re running the Oh Zoe! Rising Talent Award to find new authors with unpublished work – there is a prize fund of £500 and a range of professional development courses.
The competition runs until the end of March and more details can be found on their website www.ohzoe.com
The newsletter available at the January 2017 can be downloaded here: jan-2017
Entries are now open for The Tamworth and District Civic Society and Tamworth Writers Group Tamworth writing competition.
With prizes totalling £310.00, which will hopefully aspire all budding writers who have not yet been published, to enter. Entries must be set in and around Tamworth, Staffordshire and a particular building or address.
The closing date for all entries is Tuesday 31st January 2017. Winners to be announced in April 2017.
For full entry details please click on the writing-competition PDF link.
Short Story Competition
Taking this Jane Austen quotation as the story title, writers are encouraged to respond in 2017 words or fewer. Open to writers aged 16 and over, across the world.
“Selfishness must always be forgiven you know, because there is no hope of a cure.”
First Prize £1000. Second Prize £500. Judges David Constantine and Claire Fuller. Closing date 28 February 2017.
Hosted by Hampshire Cultural Trust in partnership with Jane Austen’s House Museum to mark Jane Austen 200.
Full details and how to submit stories: www.janeausten200.co.uk/competitions
Ware Poets is running its competition for the 19th year, and we are delighted that Hannah Lowe has agreed to judge the competition. Hannah Lowe’s first poetry collection, Chick, won the Michael Murphy Memorial Award for Best First Collection, and she has been named one of the 20 Next Generation poets, as of 2014. Her family memoir is Long Time, No See (Periscope, 2014). Chan, her second poetry collection, is published by Bloodaxe. She lives in London and teaches at Kingston University.
The Ware Poets competition offers cash prizes for the winning poems, including one for the best sonnet, and we publish a competition anthology of prizewinning and shortlisted poems.
The newsletter available at the December meeting can be downloaded here: dec-2016
For our 2016 retreat we headed down the beautiful Heart of Wales railway line to the isolated hamlet of Cynghordy.
NOVEMBER 25th – 27th 2016
Shrewsbury’s inaugural Festival of Literature kicks off at the end of November and we have something for everyone. Festival Patron Jonathan Coe will be in conversation with Paul McVeigh on the opening night (Friday 25th November) and the weekend will finish with the wonderful John Agard (on Sunday 27th) performing his one-man verse play “Roll Over Atlantic”. Both these events will take place in the beautiful Blackburn Chapel and Theatre in Prestefelde School, London Road and the venue will also play host to best-selling author Louise Doughty on the Saturday night.
Full details of the programmes are available on the website http://www.shrewsburylitfest.co.uk and tickets may be purchased online or through Pengwern Books, Fish Street, Shrewsbury. (TEL: 01743 232236)
The 2017 Bristol Short Story Prize is open for entries. The competition is open to all writers around the world
whether published or unpublished, UK or non-UK based, over 16 years of age.
The closing date for entries is midnight (BST) May 3rd 2017. The maximum word limit is 4,000, there is no minimum.
Stories may be on any theme or subject and entry can be made online or by post.
There is an £8.00 entry fee for all stories submitted and entries must be previously unpublished.
Today, Wrekin Writers held a Meet the Author day at Wellington Library, as part of the Wellington Festival. We had a fab time, and we even sold some books!
The Kent & Sussex Poetry Society OPEN POETRY COMPETITION for 2017 is now accepting entries:
* First Prize: £1000, 2nd: £300, 3rd: £100, 4th: 4 x £50
* Judge: Catherine Smith
* Entry fee: £5 per poem. 3 or more poems: £4 each
* Closing date: 31 January 2017
* Entries to: The Competition Organiser, 13 Ruscombe Close, Tunbridge Wells, TN4 0SG
* Put name and address on separate sheet – not on poem
* OR ENTER ON-LINE and pay by Paypal
For more details, go to:
The newsletter available at the October Workshops can be downloaded here: oct-nov-2016
Does anyone know Jacqueline Zacharias? She was longlisted in our 2015 Doris Gooderson short story competition, which is why the editor of Dreamcatcher magazine has approached us. He’s trying to get hold of her. She’s sent him some stories and he’d like to use some in an upcoming issue, but he has no contact details for her!
So, if anyone knows Jacqueline Zacharias, please ask her to get in touch with John Gilham, editor of Dreamcatcher magazine (www.dreamcatchermagazine.co.uk). It’s good news!
Firstly, thank you to everyone who entered our competition this year. With over 140 entries submitted, you’ve enabled us to donate over £160 to the Severn Hospice this year. But to the nitty-gritty: the winners. Congratulations go to:
MOUNTAINS AND PEBBLES AND SAND
By Douglas Bruton
There are fish bones in the mountains, pressed between the flat prayer-palms of stone, and ammonite shells shiny and ridged, and impressions of things that once swam in the sea caught in rock the colour of seabed-sand. That’s what Edwin’s grandfather told him. He said it was the earth’s story and it was like going back to the first page of a book and starting the story over, always going back.
And Edwin’s grandfather beginning in on a story of when he was a stripped-back boy, telling it like it was a new story even though he’d told it a hundred times over, not leaving out even the smallest detail, the smallest grain of sand.
‘It’s a pebble you want. Pebbles are best.’
By Carol Stone
She arrives at Paddington on the District line. Well-worn suede shoes, lace-ups, a shade of blue-grey with a thick flat sole. She is a stranger to this line. From where I sit it’s always the shoes I notice first. The polished city brogues, shiny patent stilettos, athletic sneakers. I’ve seen them all but never shoes quite like hers.
Amidst the rushing bodies she stands on the platform, the map she holds turning this way and that. Beneath the rim of her knitted hat, wisps of caramel hair protrude which float wildly as the air is sucked through the tunnel. Brushing it from her eyes she glances around, confusion on her face. Then my watching eyes meet hers and a smile comes my way, not fearful or sympathetic but the genuine kind not usually reserved for the likes of me. Momentarily I forget myself, forget where and who I am. Then a man rushes by, kicking my feet, sharply returning me to reality. I burrow down into my sleeping bag, hoping she won’t be there when I next brave a peek. Except the suede clad feet are already heading my way. Before long they are beside me.
By Jacqueline Cooper
‘He wants you to go to him to sign the divorce papers? Don’t you dare!’ Sally’s mum sounded outraged at the very idea. ‘You were at that man’s beck and call for 10 years. Let him come to you if he wants something. In fact let him come here to the house. I’ll get your Aunt Tricia and Aunt Betty round,’ she said grimly.
For a moment Sally pictured her soon-to-be ex-husband walking in to face her mum and the aunts, who’d be sitting in a row on the settee, arms crossed over ample bosoms, ready to lay into him. The image made her smile but she knew it would never happen. Greg, her ex, was the biggest wimp going. He wouldn’t dare face her family. Her mum used to think the sun shone out of him, so once the truth about their marriage finally came out, mum had taken it particularly hard, especially when Sally had to move back in to the family home until she got back on her feet. At thirty years old she’d ended up sleeping in her old bedroom, working two jobs to pay off her half of the debts she hadn’t even known Greg was running up.
I must begin with an apology.
I espoused my ‘X’ theory to colleagues at the last meeting without fully formulating my argument.
I also did not explain with enough clarity and detail the reasoning behind my assumptions.
However, if we start at the beginning again here is my theory of a writers reason d’etre in two parts:
Part 1 – First Person Singular
If a mouse sat up and barked would that make him a dog?
If a cat spoke in Mandarin would that make him Chinese?
I would argue creative writing cannot be taught; merely nurtured, encouraged, trained and honed if the talent, knack, gift of story-telling, call it what you will, is innate to the student.
That may sound controversial; even dismissive and elitist but it is not said in malice. It is merely a statement of empirical fact, made by someone with his nose pressed against the literary pane, fighting desperately to get in.
There are a thousand hacks masquerading as journalists in Fleet Street, as we speak. These are paid professionals all, who write all day, every day, for a living. Busily filling up newspaper columns till the cows come home. They produce prodigious reams of prose that’s printed as gospel every day and avidly consumed by their readers.
If all it takes is the ability to string one word to another and use a key-board – why isn’t every single one of them a best-selling author?
Few have that devine spark; that ‘X’ factor that drives writers along to capture and record a thought or feeling with enough emotional drive and creative talent to win the readers attention first and their hearts second.
That’s called building a readership, a fan-base, a career; and it takes time and dedication.
Part 2 – Present Indicative
If ‘X’ is the unknown, that indefinable unique factor within the author, then we should first take mental stock (especially when we feel doubt-ridden or literally stuck for words).
Be honest with yourself and ask these questions:
Who else but you can tell the story in the first place? (If you don’t write it – who will?)
Who else can best inform the reader that there is a story to tell, if not you?
Your unique perspective, which is different to mine or anyone else’s on the planet, qualifies you to write the story. This is true regardless of whether you are writing fact or fiction.
In the highest sense you owe it to your readers (present and future) to tell the story to the best of your ability and as soon as you are ready, without waiting for devine inspiration.
What if Shakespeare had put off writing Hamlet on a Monday; caught the plague on the Tuesday; and was dead by the Friday (that’s how quickly it took people to die)
Would the world be better off culturally? – of course not.
Bubonic plague was rampantly endemic to Britain during most of his lifetime and besides killing al lot of people, particularly in large cities, it frequently shut down many theatres for twelve months at a time; cutting off people’s incomes.
Remember, Shakespeare didn’t think of himself as a genius, just a struggling writer, the same as all of us.
I admit that all of the above is a blatant application of moral-boosting rhetoric for which I make no excuses.
Nevertheless it is also cold, hard, undeniable fact.
If you have ever sat staring at a blank page not knowing what to say or how to say it, take heart.
You are not alone.
© Chris Owen
The newsletter available at the September meeting can be downloaded here: september-2016
The newsletter available at the August meeting can be downloaded here – August 2016.
The newsletter available at the July 2016 meeting can be downloaded here: July 2016
Jane Seabourne gave us an excellent poetry workshop today, proving that even those of us who are not natural poets, can still produce something magical and … poetical.
The newsletter available at the June meeting can be downloaded here: June 2016
Black Pear Press are looking for 1500-word short stories on any theme before 1st August 2016. Entry £5, with a first prize of £75. For more details visit: https://blackpear.net/2016/06/08/black-pear-press-short-story-competition-2016/
The newsletter for the May 2016 meeting can be downloaded from here: May 2016
Norwich Writers’ Circle is proud to announce the launch of its 2016 Olga Sinclair Open Short Story Competition. We do hope that this year’s competition will inspire your members to enter a story including a reference to SHOES, chosen in honour of the historical shoe and boot making trade in Norwich. Van Dal Shoes, the only remaining working shoe factory in the City, is one of our sponsors, offering vouchers for their footwear to add to our generous cash prizes. For full details of how to enter see our blog link at https://norwichwriters.wordpress.com/competitions/open-competition/
The closing deadlines are 17th and 31st JULY and this year the entry fee is £8. We look forward to receiving your stories…..
The 2016 Wigtown Poetry Competition has been launched.
Persistent, Continuous, Repetitive Graft
(And other lies we tell ourselves)
A good colleague and esteemed member of our little writing community has recently admitted albeit, in a blog, that his daily writing habits aren’t always consistent.
That’s a big admission; very brave and very honest – but ultimately human.
This level of personal integrity sets him above the norm and makes him the true professional he is. He could have insisted in well worn tones to the rest of the world that he rose at six-thirty every day in Thackarian style, showered in cold water then sat writing for four hours before breakfast and then wrote for another four hours before venturing out into the world every 24:7 + 365. He didn’t.
Buggering About with the Bard
Write a play to be performed in association with the Royal Shakespeare Company? Too good an opportunity to miss.
Both my wife Suki and I like The Taming of the Shrew and have fond memories of Richard Burton and Elizabeth Taylor yelling at each other in the 1967 film. But it does present issues for modern audiences: It’s about a man turning a woman from a bitter termagant into a loving and obedient wife by bullying her. There are twenty-one characters of whom only three are women. Shakespeare’s language can be difficult to get used to, and he refers to literature and events familiar to the Elizabethan audience, which we probably now have to look up. The play we know is book-ended by scenes concerning Christopher Sly which many people, including me, have difficulty with, because they seem unrelated to the main story.
As part of April’s meeting, Chris Owen did a talk about playwriting and rounded off with a quiz on the greatest playwright of all time: Shakespeare. For those who missed it, here are the questions (along with the answers).
1) What was thought to be Shakespeare’s Breakthrough Play and the publishing year ?
A) Henry V1 Part 1 (1590 – 91) 2 x G of V (1589 – 91)
Well, here they are: all 3,784 words, written by our Chairman in his monthly emails to round up the troops before each meeting:
The Theatre of Shakespeare – Everyman or Elitist?
The actor playwright Ben Jonson, a contemporary of the bard, famously declared in his dedication that Shakespeare ‘was not just for his own age – but for all time.’
This unequivocal affirmation of the universal appeal of Shakespeare beggars belief to the sluggardly schoolboy making his way to school nowadays. Indeed this attitude evokes what we all similarly experienced when trapped in the state education system. (more…)